"You Couldn't Have Done That" by Ann Hugo is a short (fifteen minute) Twine story which puts the player into the shoes of teenager on the autism spectrum, who has just begun her first day on the job at a shopping mall clothing store where she doesn't know anyone. She is anxious. Who wouldn't be on their first day? But her spectrum diagnosis adds another layer to that anxiety. (limited spoilers below the cut break)
.
.
.
“Happyland” by Rob Fitzel. This classic detective yarn takes place on the sprawling grounds of an amusement resort. The map is wide but the written description of individual locations is not very deep, which is probably a good thing in terms of minimizing the number of red herrings. It is already a challenging and engaging parser game. After two hours of play I was able to make an arrest and get a conviction, but I was not able to tie up all the loose ends and will probably need to play for at least another hour before getting the “best ending.” I have not been tempted to use the walk through or hints. I really want to solve this on my own.
The style of play is familiar. Interview the suspects, search
for fingerprints, analyze chemicals, show evidence to others and catch them in
their lies. These are the same basic mechanics as the old Infocom mysteries,
although the scope of this game and the number of NPCs is several times larger
than those classics. This game also comes with a full color map and some other simple in-game graphics. There were a
few places I wished the parser had understood more synonyms. I especially would
have appreciated a shorthand for typing the names of the multitudinous
fingerprint reports. But overall the parser was bug-free and did not detract
from my desire to solve the mystery.
This game has been entered in the 26th annual interactive fiction competition. More interactive fiction can be found at the interactive fiction database.
“Captain Graybeard’s Plunder” is a web based point and click game by Julian Mortimer Smith. Much of the pirate fiction I’ve seen in past IF has been written as light puzzlers; Captain Verdeterre’s Plunder (Ryan Veeder, 2013), Pirateship (Robin Johnson, 2019), even going way back to “Plundered Hearts” (Amy Briggs, 1987). For that matter, many of the recent pirate films have been written light “The Pirates! Band of Misfits.” or the unending “Pirates of the Carribean” franchise. Of course there have also been some rather more violent and dramatic treatments of modern piracy off the coast of Africa. “Captain Graybeard’s Plunder” takes neither of these approaches.
That I went into “Captain Graybeard’s Plunder” hoping for comedy was a mistake. My first play-through I scrolled through more quickly than the author’s efforts deserved, just wanting to see the ending. Once I understood what it was about, I went back and played a second time, reading more carefully. “Graybeard’s Plunder” draws on a tradition of sea faring stories much older than “Pirates of the Carribean”. Indeed, the reader is invited to create their own sea story by cobbling together passages from 19th century literature. The game is an homage to authors who knew the sea and its dangers: H.Melville, RL.Stevenson, J.Verne and others. While doing this, the player comes to know the character of Graybeard, an aging pirate who once experienced defeat at sea and now has only his books.
The graphic design in the game is well done. A variety of font choices appear for deliberate purpose in the story telling. This game works well as a piece of IF conceptual art.
This game has been entered in the 26th annual interactive fiction competition. More interactive fiction can be found at the interactive fiction database.
“The Pinecone” by Joseph Pentangelo. A web based interactive fiction. I picked this one from the top of a randomized list, and because the blurb professes it to be quick play.
An intriguing short story with a twist at the end. I won’t
give it away. The story is short enough to finish in less than fifteen minutes,
as advertised. Well written but not very interactive. Advance the story with a
series of single option clicks. There are a few choice points in the middle
leading to four possible endings (all with the similar twist). I found three of
the endings, and still kept my play under fifteen minutes. Best feature: I love
goats.
This game has been entered in the 26th annual interactive fiction competition. More interactive fiction can be found at the interactive fiction database.
I played “Magpie Takes the Train”, thinking all the way through that it had been written by JJ Guest, who wrote the earlier “Alias: the Magpie”, winner of the 2018 IF competition. Only at the end, when I began to write up my notes, did I learn this was actually an authorized sequel written by Mathbrush, another highly accomplished IF personality. Maybe I should learn to read blurbs more carefully. But alas, the reason I’ve taken to playing IF is that I’m not an attentive reader; the interactive format forces me to engage more actively with what I’m seeing on the page.
“Magpie Takes the Train” shares several features in common
with its inspiration: an entertaining detective farce involving frequent
costume changes; dialogue with an amusing cast of upstairs-downstairs
society figures (but curiously set in the states). Both games have a well implemented full parser interface.
This game differs from “Alias” in its scope. Whereas Alias
was a full length game, with multiple rooms and individual scenes, “Train” is an
elaborate one-room puzzle box. The goal, as indicated in the blurb, is to steal
a coveted gemstone from the owner’s private train car. There is a time limit on
completion, but a generous one and it may be possible to win the game in one
play through. I gave myself the luxury of several restarts to experience the
full space of the game. Each costume endows the player with a different set of
powers and dialogue outcomes. Some of the actions are sequence and time
dependent. It took me a little more than an hour to finish, checking the hints
only once for a puzzle related to the Viscount. Turned out I just needed to
examine the Viscount more carefully.
A delightful addition to the Magpie canon.
This game has been entered in the 26th annual interactive fiction competition. More interactive fiction can be found at the interactive fiction database.
"Sheep Crossing” by Andrew Geng. Lists some testing credits, and responds uniquely to a number of my favorite IF gaming verbs. But the prose is a bit light, and I fear that this may just be a classic fox, chicken and grain problem which I learned when I was seven. I’m carrying nothing. But when I try to feed a cabbage to the sheep, the cabbage suddenly appears in my inventory.
Restart. It appears that the cabbage, sheep and bear are all within my reach, even though they aren’t mentioned in the scene description. I wonder what else is in the scene? The best part of the game is discovering all the amusing ways to fail. Finally I check the walk through. Sure enough, there was something else unmentioned in the description which I needed to get the first passenger across the river. The rest of the problem I solved when I was seven, so I do what I need to and finish the game.
This game has been entered in the 26th annual interactive fiction competition. More interactive fiction can be found at the interactive fiction database.
“Stuff of Legend” by Lance Campbell. This Glulx game came up at the top of a randomized list. The blurb was strong enough to convice me to play. Strong opening message. Encouraging “about” message. This first time author has been well tested by experienced writers and players. As it says in the blurb, the PC is an unemployed village idiot, working to become a knight.
The game is fun. Light comedy is a staple of interactive
fiction, and is well suited for the form. The player tries various absurd
things, and the game responds appropriately. In a few cases I was able to solve
puzzles before even realizing they were puzzles. Several other NPC characters
and farm animals with whom the PC can interact help bring the farm setting to
life. The foolish PC causes a whirlwind of chaos. To become a knight, he must
undo all that. I finished in about an hour, checking hints only once on a
puzzle involving nest fabrication.
Looking forward to this author’s future work.
This game has been entered in the 26th annual interactive fiction competition. More interactive fiction can be found at the interactive fiction database.
